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Over the Water

DESIGN BY EALAIN-JAQ STUDIO

FIG 1. ORIGINAL ARTWORK

EJ000821D

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PRODUCT DESCRIPTION

Over the Water captures a young white tiger carefully making its way along a fallen tree suspended above a shallow forest stream. Its body is held low over the trunk, forelegs extended ahead and paws spread against the uneven bark as it negotiates the natural crossing with concentrated attention.


The cub's pale cream coat is patterned with soft brown-black stripes that sweep across its back, limbs, face and ringed tail. Cool blue eyes stand out against the warm ivory fur, while fine whiskers and darker facial markings bring definition to its intent expression. Beneath its paws, rough bark, patches of moss and damp organic textures give the fallen trunk a richly weathered surface.


Dense tropical vegetation encloses the scene on either side, opening towards a softly illuminated corridor of forest beyond. Below, clear water moves between moss-covered rocks and reflects muted greens from the canopy overhead. Filtered sunlight entering through the distant trees provides a gentle counterpoint to the shadowed foreground, drawing the cub forward through the secluded woodland setting.

ABOUT THIS COLLECTION

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BACKGROUND AND HISTORY

The Tiger (Panthera tigris) occasionally displays a striking white colouration produced by a rare inherited genetic variant affecting pigmentation. White tigers are not albinos, they retain dark stripes, pigmented noses and typically blue eyes. Nor do they constitute a separate species or subspecies of tiger.


The best-known white tigers derive from Bengal tiger ancestry, with the pale appearance occurring when an individual inherits two copies of a recessive variant associated with reduced production of red and yellow pigment. The characteristic dark stripe pattern remains, creating the cream-white and brown-black appearance for which these animals are recognised.


White tigers are extraordinarily uncommon in nature. Much of their modern familiarity comes instead from captive populations, where deliberate breeding for the recessive trait has historically involved close relatives. This has contributed to serious inherited health and welfare problems in some lineages and should not be confused with conservation breeding for wild tiger populations.


The white coat is therefore best understood as a rare colour variation within the tiger species rather than a distinct kind of tiger, visually remarkable, but carrying no separate taxonomic status.

CULTURAL CONTEXT AND SYMBOLOGY

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CONSERVATION INFORMATION
This design donates to animal and conservation efforts
IUCN: Endangered. Tigers have disappeared from much of their former Asian range, with remaining wild populations threatened by poaching, depletion of their prey, habitat loss and fragmentation. Many surviving populations are now small and geographically isolated.

Tiger (Panthera tigris)

The striking white coat seen in some tigers is not a separate species or subspecies, nor is it albinism. It is an extremely rare naturally occurring colour variation historically recorded in Bengal Tigers. Genetic research traced the appearance to a recessive variant of the SLC45A2 gene, which alters pigmentation while leaving the characteristic dark stripes visible. The mutation itself primarily affects colour and has occurred naturally in wild tigers; it should therefore be distinguished from the health problems frequently associated with captive white-tiger breeding.


Because two copies of the recessive variant are required to produce a white cub, deliberately maintaining the appearance in captivity has often involved breeding closely related animals. Inbreeding, rather than the white-coat mutation itself, is responsible for many of the welfare problems associated with captive white tigers. This distinction reflects a much broader conservation principle: preserving tigers means maintaining healthy populations with sufficient genetic diversity, rather than selecting animals for unusual appearances. In the wild, fragmentation can isolate small tiger populations and increase relatedness, making habitat connectivity important not only for movement but also for maintaining genetic health over generations.

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  • At Ealain-Jaq Studio, we believe in being open about the creation process behind our unique art pieces. To bring you a diverse and stunning collection of diamond paintings and canvas prints, we source and create our artwork using a variety of methods.

    Every design we offer has a story, and that story begins with a spark of creativity. We are passionate about bringing you art that inspires, and our creative process is a thoughtful blend of human talent and technological innovation.

    We believe deeply in supporting the artistic community, and a core part of our collection comes from licensed artwork from gifted artists and photographers, ensuring they are compensated for their incredible work. We cherish these partnerships, which celebrate their unique vision and support their craft. Alongside these collaborations, you will find captivating real-world photography and original designs born from the creative minds of our own team.

    At the intersection of art and technology lies a world of new creative possibilities. We ethically embrace using both traditional artistry and cutting-edge technology and are excited to be at the forefront of this evolution, using a dynamic and modern approach to design the unique art pieces in our collections.  We see Artificial Intelligence (AI) as a powerful new paintbrush, a tool to spark novel ideas and concepts.  We leverage AI as a powerful co-creator to generate foundational images and explore concepts that would otherwise be impossible.  These AI-generated images often serve as the first step in a longer creative journey, with our human artists lovingly applying their expert eye to refine, edit, and enhance them to add that essential human touch.

    The best results often come from synergy. It is this beautiful collaboration, between artists, technology, and our passionate team that allows us to create the diverse and high-quality art kits you love. Thank you for being part of our creative journey.

  • Our fine art and canvas prints are produced to order, allowing each piece to be carefully prepared and checked before leaving the studio. Production and dispatch times may vary depending on the print format, size and finishing requirements selected. Please refer to the individual product page for any specific production timeframes.


    We use Australia Post for all domestic and international shipping, with delivery times varying according to destination, carrier demand and customs process where applicable. As we are based in Western Australia, delivery typically takes approximately 2–4 business days within Western Australia and 3–6 business days for interstate destinations within Australia following dispatch.


    If you need assistance with a return or exchange, please get in touch with us and we will be happy to guide you through the available options.


    For full information regarding production, delivery, returns and exchanges, please refer to our Shipping & Returns Policy.

  • Although we do our best to show true colours representations, please note however that product images are photographed under lighting conditions that may affect colour appearance on screen. Due to variations in lighting, screen settings, and monitor resolutions, actual drill and canvas colours may differ slightly from the images shown.  

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